Copyright © 2010 Jaimes Nel

Paul Shaw writes in the AIGA about the history of typography on the New York subway system and particularly why Helvetica has rightly or wrongly come to be regarded as it’s exclusive font.
What emerges is a fascinating account of the process of standardisation in complex public systems.
These attempts began with unsolicited attempts by graphic designers in the 50’s to propose the standardisation of information. It was only later that Helvetica came to represent the face of that standardisation.
George Salomon, Appleton, Parsons & Co, “Out of the Labyrinth: A plea and a plan for improved passenger information in the New York subways.”
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